Let's be completely honest upfront: What K-pop group Twice accomplished in Singapore wasn't just another concert—it was a masterclass in performance artistry that should make every other act this year take serious notes. But here's where it gets controversial...
You might assume my perspective is skewed, having witnessed their "This Is For" concert in South Korea back in July. However, that experience doesn't create bias—it establishes a critical benchmark. What's surprising is that despite some noticeable changes from the original Korean show, including the removal of sub-unit performances and the beloved encore wheel segment, Twice's Singapore performance somehow managed to stand on its own as one of the most spectacular live events I've witnessed all year.
For two and a half uninterrupted hours, all nine members—Nayeon, Jeongyeon, Momo, Sana, Jihyo, Mina, Dahyun, Chaeyoung, and Tzuyu—delivered what can only be described as a transcendent musical experience that connected deeply with every fan in attendance.
Let me break down exactly why this performance was so memorable. When Nayeon and Jihyo tackled the vocally challenging "Mars," they did so with such effortless power that it seemed to defy the laws of vocal strain. Dahyun created an instant connection with the audience through her playful attempt at Singlish, while Momo and Mina triggered waves of excitement with dance moves so precise they could cut glass. Meanwhile, Sana and Tzuyu demonstrated what true fan service looks like, engaging with attendees in ways that felt both personal and genuine.
And this is the part most people miss when discussing established groups: the solo performances weren't just filler content—they represented a significant evolution in each member's artistic identity. Unlike their previous "Ready To Be" tour where solos followed a more uniform approach, this time each member presented an original track spanning completely different genres, showcasing their individual growth as artists.
Jeongyeon's country-infused "Fix A Drink" represented perhaps the most dramatic departure from Twice's signature sound, yet she commanded the stage with a confidence reminiscent of Beyoncé's groundbreaking "Cowboy Carter" era. Meanwhile, Chaeyoung's "Shoot (Firecracker)"—a vibrant disco-pop track from her solo album—highlighted her quirky artistic personality and solidified her unique position within the group.
Now, let's address what truly sets Twice apart from many contemporary acts: their almost supernatural synchronization and group cohesion. Throughout the entire evening, all nine members moved with such unified precision that they appeared to share a single consciousness, particularly during technically complex choreography in songs like "Fancy," "I Can't Stop Me," and "Set Me Free."
Here's what makes this even more impressive: performing these challenging routines on a full 360-degree stage. For concertgoers, this innovative setup meant that virtually every seat offered a direct view of the action. Having experienced the show from multiple vantage points myself, I can confirm that each perspective felt uniquely engaging—almost like attending several different concerts in one evening.
But here's the controversial question: Does this revolutionary stage design place an unfair burden on performers? For Twice, the circular stage required them to essentially relearn years of perfected choreography to ensure every angle remained visually compelling. Yet they executed this daunting task with near-flawless precision, transitioning between numbers as if floating effortlessly from one moment to the next.
The visual production elevated the experience even further. Wrapping LED screens completely around the performance space created a fully immersive environment that transformed the entire venue. During "One Spark," the surrounding displays erupted into a spectacular firework display that flooded the stadium with vibrant colors and emotional resonance, creating a truly breathtaking moment.
By the conclusion of the evening, one undeniable truth emerged: Twice's Singapore concert wasn't merely another tour stop—it was a powerful declaration that even as they approach their tenth anniversary, these nine women have no intention of relinquishing their position at the forefront of K-pop.
Through unparalleled artistic growth, relentless discipline, and an unbreakable bond with their global fanbase, Twice continues to redefine what's possible in live performance. I'll leave you with this thought to debate in the comments: In an industry known for rapid turnover, has Twice not only secured their legacy but actually entered their prime years? Their Singapore performance suggests they're just getting started, and I'm genuinely curious whether you agree or see things differently.
